REFLECTION & REASON

I didn't want the story of the legendary reggae artist Joseph to end, and even though I knew it was loosely based on the life of Bob Marley and that the inevitable outcome was not going to be favourable, I still turned each and every page with anticipation that his fate wouldn't be as disappointing..."gone too soon". From the opening of the novel, the funeral of the fictional Rastafarian reggae superstar Joseph, the reader is introduced to just how significant this moment in Jamaican history is. His death is a loss to the music industry, and to the Jamaican community. His presence was necessary...and unfortunately lost. This is the introduction of the journey created by author and cultural communicator Barbara Makeda Blake Hannah. Through her character Joseph, his associates and peers, she takes us on a spiritual and musical expedition as spectators to the historical milestones in his life. From the first moments of the novel, we are taken back to 1970s Jamaica, t

Everything about Jamaican musician Koffee reassures me that the future of reggae music and culture is in good hands. There were times, admittedly, that I was concerned. Over the years there have been lyrics, trends, visuals, and dance "moves" that have made me question what was really happening to the young people under the powerful influence of dancehall culture. These moments in questions furthermore made me wonder if this effect would overpower the positive vibrations of roots reggae music and the feel-good Jamaican legacy that has transcended international borders based on messaging of peace and love over the decades. And then came Koffee. Much like her career has developed over the past two years--leading her on an international press and performance spree and into the hearts of many--that's how her music has taken a place at the top of everyone's reggae playlist. "Burning" was hot, and had a mellow reggae groove to it. Produced by Upsetta Recor

We have all seen the footage of Bob Marley and The Wailers at the National Stadium in Kingston, on April 22 of 1978 joining the hands of then political rivals the PNP's Prime Minister Michael Manley and the JLP's Edward Seaga. The photograph made international headlines, the video is a classic glimpse at the state of reggae music and Jamaican politics in the 70s, and the overall sentiment is that it was an historical moment that will forever be cemented in the archives of monumental musical episodes on the island. "Love, prosperity, be with us all..." Bob said to the crowd of 32,000 spectators gathered. For those who were too young to be present in Kingston that spring day, and for those who were living abroad in Canada, the U.S., or the U.K., an intense moment like this has yet to take place in the reggae community. There has been excitement and controversy, musical hits and glorified performers: the industry has seen its fair share of peaks and crashes over th

Every time I take a flight, there is one artist that I listen to for take off and landing, and the relaxing duration of travelling in the sky. In the peak of my vacation anticipation, one artist alone can match the musical high I aspire to achieve, and provide the perfect soundtrack to my journey. Bitty McLean is my artist. Bitty McLean has the one voice that can always put my mind at ease. Every time. He personifies everything that is great about reggae music, and music in general, and has proven to consistently produce and perform a style of reggae music that can speak to the deepest reggae lovers both in Jamaica or abroad. Through various eras of changes and trends, industry hype and confusion, the music of Bitty McLean has remained wholeheartedly great, technically sound, vocally strong, reggae music. A British Jamaica, born in Birmingham, England 46 years ago, Bitty has one of the purest and most identifiable singing voices in reggae music today. A uniquely clear tone, wi

There were so many amazing reggae artists performing at the Rebel Salute roots reggae music festival this year that by 7 a.m., I was barely awake...but still engaged in the stage performances. Used to arena concerts events ending by 11 p.m. here in Toronto (or 3 a.m. for reggae performances in club venues), it was an exercise in stamina to be actively observant of everyone who touched the stage at Grizzly's Plantation Cove in Priory, Saint Ann. With my digital SLR camera in hand, and cell phone serving as a secondary recording device, I didn't want to miss a thing. Looking back at my footage  upon returning to Canada, it was evident to me that I had just experienced a once-in-a-lifetime cultural moment in Jamaica, and I felt blessed to have witnessed the performances and exchanges up close and personal. I have so many memories from that weekend. The feeling of pride, enjoying music amongst the Jamaican patrons, and lingering backstage with the likes of Capleton and Yendi: J

History is constantly being documented year-round from various perspectives, voices, and parts of the world. As writers, we recognize the longevity of our work in print, whether it's online or in a library, we know that our words will last far beyond the moments they are created. As readers, we have looked to the words of our predecessors to learn from their environments, find out how they persevered through circumstances they were placed in, and we gain wisdom from their written knowledge and shared processes. Through fictional accounts, or non-fiction instruction, the words are powerful and lasting. As a group of Black writers, we thought it fitting to gather during Black History Month at the Toronto Public Library to reach out to our peers who are also crafting books and memoirs, poetry and other writings, and provide a space for us all to share the importance of writing cultural stories, and the importance of letting your personal experiences and perspectives shine thr